Concordance to The Roots of Romanticism
All impressions of the first edition (1999) use the same typesetting, and therefore the same pagination. The second edition (2013) was completely reset. This concordance facilitates the conversion of page references to the first edition into page references to the second. The text of the second edition, which was revised throughout, and added to, should be used in all new and revised translations. The concordance does not include the 2013 foreword or appendix.
First edition | First line (first edition) | Second edition |
ix | Butler’s remark was among Isaiah Berlin’s | xix |
x | material as a long introduction | xix |
xi | resonant, and if there were any | xxi |
xii | were delivered. It is the | xxii |
xiii | something without which neither the | xxiii |
xiv | translations from another language, rather | xxv |
xv | middle way by insisting that quotation | xxvi |
xvi | indicating that he had serious | xxvii |
1 | I might be expected to begin, or to attempt | 1 |
2 | centuries appear to me in comparison less | 2 |
3 | some kind of, if not absolute, at any rate | 3 |
4 | human, is very remote from the Greek conception | 4 |
5 | perhaps, of Christianity, or of the romantic | 5 |
6 | and Plotinus and the Greek novelist Heliodorus, and | 6 |
7 | sudden breakthrough in the realms of art and morals | 7–8 |
8 | specifically with the romantic revolution. The | 9 |
9 | or in advance of science, not interested in political | 10 |
10 | No Christian knight would have suppose, when | 11 |
11 | all efforts at freedom, at justice, at reason | 12 |
12 | caused it, occurred, it seems to me, somehow | 13 |
13 | which Robespierre finally causes the deaths of | 14 |
14 | Saint-Simon, the utilitarians and the socialists), the | 15–16 |
15 | the Niebelungs. Nietzsche says it is not a disease | 17 |
16 | Friedrich Schlegel’s brother August Wilhelm Schlegel | 19 |
17 | exuberant sense of life of the natural man, but it | 20 |
18 | authority. It is extreme nature mysticism, and extreme | 21 |
19 | but he went further. He took two specimens of what | 23 |
20 | I should like to relieve your fears immediately by | 24 |
21 | The Enlightenment of the late seventeenth and | 26 |
22 | The second proposition is that all these answers | 27 |
23 | The general pattern, I wish to stress, of this notion | 28 |
24 | circumstances everywhere, or was the good only | 29 |
25 | could be altered or reformed in a very drastic way | 30 |
26 | belief which all these men held. Above all they | 31 |
27 | chaos and confusion of nature those eternal principles | 32 |
28 | is there – that is what the Dutch too often | 33 |
29 | kings and conquerors, captains and adventurers, but | 34 |
30 | Madame de la Popelinière, who said she wished | 36 |
31 | times could have discovered for themselves, but | 37 |
32 | A somewhat deeper breach was made by Hume. Carl | 38 |
33 | can demonstrate a proposition in logic, where the | 39 |
34 | that not everything was everywhere the same, the | 40 |
35 | troops of Louis XIV, and of others, destroyed | 41 |
36 | compositions of the English, the Dutch, the French | 42–3 |
37 | miserable human beings. What occurred was a kind | 43 |
38 | figures of this world, who are simply incarnations of | 45 |
39 | orthodoxy, of the Church, of the monarchy, of | 46 |
40 | the German opposition to the French from which | 47 |
41 | and profound spirits of his time, and supported | 48 |
42 | many things of different sorts, common to various ages. | 49 |
43 | to a kind of fearful bureaucratisation, he thought. | 50 |
44 | to illustrate his approach. The bliss of the human | 51 |
45 | way to miss all knowledge, that is the way to | 53 |
46 | My reason for having introduced the obscure | 54 |
47 | Wolff tried to do this by saying that miracles | 55 |
48 | century, and unknown in the nineteenth. It is | 56 |
49 | This is the heart of Hamann’s doctrine. It is | 57 |
50 | subterranean movements in the eighteenth century | 58 |
51 | were; that the French were all desiccated monkeys | 59 |
52 | good works of art can be produced. In a typical | 60 |
53 | being, the noble savage, or the child, or | 61 |
54 | He was unique. Nobody else could understand him | 63 |
55 | Action, action is the soul of the world, not | 64 |
56 | people do not fight, in which the bad are not | 65 |
57 | was not entirely alone. The only worthwhile, valuable | 66 |
58 | milieu which I have described. One is the notion | 67 |
59 | or a good voter, or a nice man, or believe in God. | 68 |
60 | swim, have something peculiar to say to certain | 69 |
61 | common, of an impalpable kind, with other men | 70 |
62 | addressed, the motive of him who speaks, the | 72 |
63 | dissimilar to your own. This is also the root of | 73 |
64 | perhaps they will even entail one another – and | 74 |
65 | forms of old provincialism without the impingement | 75 |
66 | thought, should be true of ethics, of politics, of | 76 |
67 | ‘Why cannot we create a world State of such a kind | 77 |
68 | I turn now to three German thinkers, two philosophers | 79 |
69 | was rhapsodical or confused in any respect. He | 80 |
70 | wishes. This, the will, is the thing which distinguishes | 81 |
71 | ‘destroys all freedom’. And elsewhere he wrote: ‘The | 82 |
72 | within them but in something else, then they cannot | 83 |
73 | are what human beings freely choose to live for, to | 84 |
74 | subterfuge which should not be able to take in | 85 |
75 | out the full flavour of his views. For him generosity | 86 |
76 | Therefore the way to cure human beings when they | 88 |
77 | presented to man as something with which or upon | 89 |
78 | questions reason must in all men give the selfsame | 90 |
79 | man is the fact that he is able to rise above | 91 |
80 | Richard III, Iago, are not tragic figures for Schiller | 92 |
81 | her free and capricious career and treads in the | 93 |
82 | may be abominable, but in principle she is somebody | 94 |
83 | one does is obstructed, if there is nothing to be | 95 |
84 | her good sense, toleration, maturity, her humane | 97 |
85 | stages: first what he calls the Nostaat, that | 98 |
86 | adopting the attitude of games-players. What does | 99 |
87 | united, creative, world. This is the kind of Utopia | 100 |
88 | notion of reason, and who became, as I said earlier | 101 |
89 | do, knowing how to be, knowing how to adapt things | 102 |
90 | commit evil acts. Savages kill each other, and civilised | 103 |
91 | invented by others, and I am part of some common | 105 |
92 | half-religious notion, which emerges from the sober | 106 |
93 | I now come to the final eruption of unbridled | 107 |
94 | the doctrine that it was quite natural that the | 108 |
95 | the self. Without the sense of the self, no sense | 109 |
96 | at least await the moment when they are caught up | 110 |
97 | those who are dead, those who are echoes and those | 111–2 |
98 | and after them the animals – the progressive | 113 |
99 | the great statues, the great works of music are | 114 |
100 | movement. Let me try to make it as clear as I am able | 115 |
101 | or in what sense the Kaaba Stone is a great symbol | 116 |
102 | other than itself, that which it stands for – for | 117 |
103 | although they do not discuss it under that name | 118 |
104 | else I might be tempted to say. When, for | 120 |
105 | secularised version, obviously, of that profound | 121 |
106 | which they are seeking, if the harmony, the | 122 |
107 | which frustrates our dearest wishes. Sometimes | 123 |
108 | This too is a romantic idea, because once you get | 124 |
109 | oscillate between extremes of mystical optimism | 125 |
110 | said that the political makers of the Revolution | 126 |
111 | Meister. The romantics admired this not so much | 128 |
112 | a kind of silken courtier. On the other hand he | 129 |
113 | essentially that of order, self-restraint, discipline | 131 |
114 | The novel caused very profound shock and was | 132 |
115 | absurd and blasphemous. That is the real fervid | 133 |
116 | Suddenly there is a thunderstorm, and he says ‘But | 134 |
117 | criss-crossing movement; the attempt to reduce | 135 |
118 | I now propose to say, however rash it may seem, what | 137 |
119 | disagreement may occur, but that there is such | 138 |
120 | forward self-thrusting, perpetual self-creation, which | 139 |
121 | generalisations of (to the romantics) the most external | 140 |
122 | each generation, transforms itself with the | 141 |
123 | As everyone who has heard it knows, the opera ends | 142 |
124 | Venice, and ended it as a music teacher in New York | 143 |
125 | whole organic theory of political life, and of loyalty | 144 |
126 | collapse when other equally sane, equally superficial | 145–6 |
127 | not only explains but justifies poverty, squalor | 147 |
128 | and condemned instrumental music as a meaningless | 148 |
129 | Achilles and Agamemnon howl, he makes Queen | 149 |
130 | all the romantics, some whom were very fond of | 150 |
131 | awkward in society. They were easily snubbed, they | 151 |
132 | romantic movement, in the sense that Byronism | 152 |
133 | created somebody who keeps saying ‘Forward | 153 |
134 | Byron the syndrome passes to others, to Lamartine | 154 |
135 | same word should be comfortably used for both – the | 156 |
136 | detestable as that which it replaced. Therefore it | 157 |
137 | equally good if not better, in competition with | 158 |
138 | cultures, because they are not compatible. | 159 |
139 | scientists or scientifically influenced men such | 160 |
140 | for being prepared to give up health, wealth | 161 |
141 | they were efficient, they raised the level | 162 |
142 | Nietszche said ‘Man does not desire happiness, only | 164 |
143 | condemned for being evil; we can neither of us | 165 |
144 | Some romantics certainly went too far. This can | 166 |
145 | resembles Stirner. From this a moral may be drawn | 167 |
146 | attempt to convert life into art presupposes that | 168 |
147 | French, or whoever it may be; and yet, as a result | 169 |
* Corrected in later impressions to ‘foreign troops, including those of France, destroyed …’
** Corrected in later impressions to ‘Venice, and ended it as a teacher of Italian in New York …’